Mark’s Home

“Toto, I have a feeling we’re not on the Plains anymore…”

Hey there, Rural Studio! It’s been a bit of a change for us 2025 Fall 3rd-Years having to say goodbye to campus for now, but we’re excited to kick off this semester on a high note. These first few weeks have flown by between getting settled in, exploring the community of Newbern and Greensboro, and picking up where the last batch of 3rd-year students left off—building Mark’s Home.

Studio and Site: Rolling up our sleeves

The past few weeks have been spent adjusting to the balance of designing both inside the studio and on-site. We’ve also had the pleasure of finally meeting our client, Mark. He’s been incredibly welcoming and excited to see the progress on the site, often offering us cold drinks from his cooler!  

Our first objective was to familiarize ourselves with the previous 3rd-year students’ design of Mark’s Home and its stick-frame construction. We were tasked with reading and analyzing construction drawings—for many, it was their first time—and turning them into a model in Rhino 3D.

Our next assignment was to study and recreate a set of various sawhorses. This assignment was critical, both in learning how to use power tools safely and in growing accustomed to team projects. Our first set of sawhorses was put to the test by a 500-pound load. While none broke, we quickly recognized the flaws in the initial designs. The following day, we brought out a new set of drawings that either added lateral bracing or incorporated details from the others. Every single group’s sawhorse improved significantly, and it was a success! Now, we have eight sets of sawhorses that will be the backbone of our work on Mark’s Home. 

After creating our sawhorses, we got busy designing and building the formwork for a 4-inch concrete slab roof for the FEMA saferoom for Mark’s Home. We will be pouring that slab soon, so stay tuned!  

Woodshop: Shop talk with Steve

Along with the hustle and bustle of “Neck-down” Week, site visits to Mark’s Home, and exploring local architectural history, we have been preparing for work in the woodshop with professor Steve Long. For a lot of us, this is the first time we have worked with shop tools, not to mention learning the precision of fine woodworking that the class requires. Thankfully, Steve knows this, and he has been more than happy to teach us not only how to use the tools of the shop safely, but also to explain the process in a way that makes using wood more approachable.

The past few Woodshop classes have been loaded with tutorials, methods, safety practices, and ways to keep the woodshop as incredibly clean as it is now. All of this has been in preparation for the Chair project—an opportunity for us to work in groups and reverse-engineer some of the most famous chair designs in the world. We will then build our own replicas of them based off what we have learned. With all of the groups getting started on the first few rounds of full-scale chair drawings, fine tuning the dimensions, and getting an understanding of the assembly process, we are excited to get to work and build them in the upcoming weeks.

History: Taking a closer look

For the past three weeks, we have jumped into our History class studying Greek revival architecture through site visits to local houses. Our instructor, Dick Hudgens, has a story for every room we have visited so far. We have been practicing our sketching skills and focusing on correct proportions. Next week in our class, we will be making watercolors from natural elements to add some color to our sketches. 

So far, we have visited Magnolia Grove in Greensboro, AL, and Gaineswood in Demopolis, AL. Both locations offer weekly tours that focus on the architecture and the history of the house.  Some of our favorite added fun facts from Dick are as follows:

Emily B, Magnolia Grove: The self-supporting spiral staircase was built one step at a time, using each previous step to support the structure as a whole, rather than being tied into the structure of the wall. 

Solana, Magnolia Grove: US Congressman Richmond Pearson Hobson lived at the house with his sister, Sally Hobson. He had a separate staircase built on the outside of the house that led to a window in his bedroom, so he could enter his room without talking to his sister. Dick removed this staircase on one of his Magnolia Grove restoration projects because it was potentially dangerous. 

Hope, Gaineswood: On the trim of the stairs is an image of the Vitruvian Wave, which symbolizes a constant, timeless rhythm in art and architecture. The negative image of the wave creates a cornucopia, which symbolizes prosperity. The two symbols together wish the residents of the house continuous prosperity.  

Summer, Gaineswood: The roof cannot be seen at any point from outside the house. All the slopes go towards the center of the house to collect the rainwater. 

We are looking forward to exploring more of West Alabama and its architectural history this fall semester!

Student Life: Let’s get into the swing of things!

Guess what? You might have already seen us on the blog, hard at work during “Neckdown” Week. From painting signs to digging trenches, we braved the learning curve and worked hard alongside the 5th-year students, Leftovers, and Super Leftovers. After breaking in our toolbelts, Andrew and Emily led us on a tour across Newbern to visit some of Rural Studio’s previous projects. We had the privilege of speaking with residents of the project houses, and later that week received a warm welcome dinner from the Newbern Library board members.

There’s been plenty to keep us busy outside of class as well. We’ve started a friendly competition among the 3rd-Years at the biweekly trivia nights hosted by The Stable in Greensboro, gotten our library cards, braved karaoke night, and attended the weekly pickleball and ultimate frisbee community events—the 5th-Years even hosted a watch party of the Baylor vs. Auburn football game. If we weren’t tired from everything else, we sure are now!

Thanks for checking in to see what we’ve been up to! Next up, more time on site!

Rural Studio receives top Creed Grant from Auburn Alumni Association

Rural Studio has been awarded one of five (and the largest) of Auburn Alumni Association’s first-ever Creed Grants. The new Creed Grant is made possible by the generosity of Auburn Alumni Association Life Members and donors. We will apply this $65,000 grant to design and build our aptly named Cost-Effective, Resilient, Energy-Efficient, Equitable, and Durable (CREED) House.

Hand Sketch of Mark's Home Focusing on the Outdoor Space with the Safe Room

The CREED House will address critical housing challenges often found in venerable communities by using high-performance design enhancements while reflecting Auburn Creed values of hard work, innovation, and inclusivity:

  • Resilience: Resilient building assemblies meeting FORTIFIED Gold standards, ensuring durability and safety in disaster-prone areas.
  • Energy Efficiency and Affordability: EnergyStar-certified systems and cutting-edge efficiency strategies to reduce operational costs for homeowners while minimizing environmental impact.
  • Safety: A FEMA-compliant Safe Room, which is a hardened structure that provides near-absolute protection from extreme wind events, such as tornadoes and hurricanes. This feature ensures occupants have a high probability of being shielded from injury or death during severe storms.
  • Healthfulness: Healthier building materials, to create safe, comfortable living environments for residents.
  • Accessibility: Features for multi-generational accessibility features developed with universal design principles, ensuring the home is adaptable to individuals of all ages and abilities.

The house will serve as a prototype that can be adapted to the unique local contexts found in a variety of high-need communities, especially in areas prone to disaster. Third-year professor, Emily McGlohn, recognizes this unique opportunity: “The CREED Grant allows our students to learn about and design a home with resilience in mind. A FEMA Safe Room, Fortified Gold standards, and an integrated emergency generator are not often part of affordably built housing, or any housing for that matter. This support will let us try some new ideas and help us to understand how to build resiliently for everyone. Our client, Mark, is super excited to get started!”

The CREED House will be an “all hands on deck” project for Rural Studio: our 3rd-year student cohorts will work in phases to design and build the CREED House, under the leadership of the Studio’s Newbern faculty and our main campus Front Porch Initiative team. The Hale County faculty will guide students in the design and build of Mark’s Home, and the Front Porch team will provide technical expertise. Then, the Front Porch team will help organizations that build much-needed housing adopt the prototype and adapt it to their local needs.

This project is led by a team of 12 Auburn University alumni, each of whom has dedicated their career to advancing the values of Auburn University through education, research, extension, outreach, and community engagement. These alumni—now faculty and staff at Auburn University Rural Studio—embody the principles of the Auburn Creed in their leadership, mentorship, community engagement, and commitment to impactful, hands-on learning.

War Eagle!

Press:

Auburn University
Auburn Alumni Association awards inaugural Creed Grants

CADC
Architecture, History Faculty Awarded Auburn Creed Grant for Historic Preservation Pilot

WE MADE IT OUT OF THE GROUND

Welcome to our fourth and final 3rd-year blog. The semester, which seemed like it would last forever, now has ended before we could notice. It’s been an incredibly busy few weeks as we made our final push to the end, and we’re excited to present the results!

Studio: A Firm Foundation

After months of planning, deliberation and hard work we finally completed the foundation of Mark’s Home. At the beginning of April, we worked with contractors to lay CMU blocks on top of our poured concrete footings. We then spent multiple weeks filling in and tamping earth inside the foundation and cutting, inserting, and bending rebar. 

The biggest hurdle to get over before pouring the slab was the plumbing and electrical. For these tasks, a few of our fellow students, Erin, Davis, Patrick, and Jesse, worked on site tirelessly to fit, glue, and pressure test the pipes under Mark’s Home. After that, we laid a vapor barrier, some wire mesh, and more rebar. Two other 3rd-years, Marisol and Alyssa, drew, cut, and assembled foam jigs for the 72 anchors that needed to be placed in the slab on the day of the pour. 

The slab on Mark’s Home was poured two days before Pig Roast. After this, we put hay over the muddy soil, got the presentation boards and blown-up perspective drawings ready to present to the public. We even taped down the floor plan of the home onto the slab (thanks Rusty for the idea!) complete with a pallet-wood chair built by Mark.

Another facet of Studio—the empathetic renderings we worked on for the entire second half of the semester—came together in the last days of the academic year. It was amazing to see our work build up so slowly and then come together all at once.

Woodshop: You get a chair, you get a chair, you get a chair…

We’ve officially finished all our chair assignments! In total, we’ve managed to create eight chairs among the four teams, each one carefully assembled and finished in the final weeks of the semester. The chairs themselves are incredibly well made and beautiful, but more importantly we’ve all learned valuable skills both in woodworking and design. 

At Pig Roast, Instructor Steve Long presented our chairs and chair mock-ups, as well as our initial cutting boards. Each team had already long decided who was getting what chair, and the opportunity to bring home a hand-crafted, designer chair is well worth the effort it took to make them. For the students not bringing home a chair, the experience was still worthwhile (and the photos are great for our portfolios).

Steve worked diligently to ensure each and every one of us got comfortable with and efficient in the woodshop. At the beginning, we spent a lot of our time learning through trial-and-error, but over time we gained confidence and ability, and were able to come to Woodshop with a clearly communicated plan and get our work done well. 

History: What the Hale?!

Our final few trips for History class with Instructor Dick Hudgens were probably the best of the bunch. He took us to several impressive estates: one home was perched on a hill with a view into three different counties, and another was an incredible town home in the middle of Tuscaloosa. Easily one of the best highlights of our semester was visiting The Oaks in Greensboro, a large antebellum home owned by an Interior Design faculty member at the University of Alabama, Ian Crawford. His interior decor was impeccably fitting, and he passionately led us through his beautiful paintings, sculptures, and tapestries. 

The final assignment in the class was a 22” x 30” watercolor painting that we worked on for several weeks prior to Pig Roast. Each of us was given a different picture taken around Gaineswood, a historic plantation and museum in Demopolis, and we were tasked with recreating it. We once again used our own pigments derived from local plants, pigments which sat in mason jars littered around the table at Spencer House. Opening the paints was always a gamble, as many of them had sat for long enough that they smelled bad enough to clear out the room. 

Despite the smell, we proceeded. Our work was presented at Pig Roast, including our large paintings and our sketchbooks. Dick was more than impressed with the output this semester and gladly said so. Every year he presents a book award to two students who he feels did exceptionally well in class, one for the best sketchbook and another for the best final painting. Alyssa Luo won the former (sketchbook), and Patrick Fair won the latter (final painting). Despite the scramble toward the end to make all our work presentable, we had a very satisfying end of class.

Pig Roast: Celebrating 31 Years

Rural Studio’s annual end-of-spring tradition, known as Pig Roast, is a time to celebrate the program, the students, the faculty, and the broader community. The event starts late Friday and goes on until Saturday night, the second day beginning with a tour of Rural Studio projects, moving on to class presentations, and ending with faculty speeches, a pre-graduation ceremony for 5th-year students, amazing music performances, food, and fireworks. 

On Friday, everyone gathered at Project Horseshoe Farm, a local nonprofit located in the historical Greensboro hotel, to have dinner and watch presentations by Rural Studio alumni. Graduates from as far back as 2004, living as far away as Oklahoma and Texas, delivered talks about their time in the program and their careers afterward. 

For the 3rd-year students, Saturday morning was an amazing chance to show our parents where we’ve been living and the work we’ve been doing since January. For the entire day, students and families followed the caravan all around Hale County to see various ongoing projects, with each team giving their own presentation and tour. The night ended with much gratitude for all of Rural Studio’s amazing sponsors and a graduation ceremony that recognized the 5th-years who are graduating this year and special acomplishments.

The Beginning of the Beginning of the End

Thank each of you so much for following along with us this semester. It was such an honor to share with you all that we have been up to and to celebrate our fellow students, faculty, and staff throughout this blog. We hope you keep following along in the fall as the next group of students arrive to frame walls and raise the roof!

Raising the Rebar

We are now in the second half of the semester, and we’ve only gotten busier since our last blog. Thing are picking up, and we are speeding towards Pig Roast. In the meantime, here’s just some of what we’ve been up to. 

Studio: Rinse and Repeat

Believe it or not, as 3rd-year students we really do not have much experience with hand rendering. Computer modelling? Sure. 3-D printing, CNC routing, adding textures and shadows in Photoshop? Why not. But we needed to be taught, and given the time to learn, how to use a 2B pencil to render. Thankfully, at Rural Studio, we were able to pick up the skills quickly. To give us room to practice, we were first tasked with a 6-in-square render of a native Alabama beetle species. The insects varied from smooth to hairy, from cute to tiny little nightmares.

While working on our rendering skills in studio, we’ve also made huge progress on site. We flattened out the foundation trenches, cut and laid rebar, and were finally able to pour concrete. Armed with nothing but shovels and trowels, we emptied out three cement trucks as fast as we could, patted down the foundation, scratched our names in, and called it a day. Big achievement. Little did we know the fresh brown hell that sat just around the corner.

We dig out the mud. We pour the concrete. It rains. We dig out the mud. It rains again. Drain the water, scoop, scrape, brush. Our footings had turned into a crawfish sanctuary. At least we stayed busy, and we were able to trudge onward with more rebar. As of writing, we are waiting for our concrete blocks to be delivered, and we are about to be really, truly out-of-the-ground.

Of all the things that Rural Studio offers, there’s nothing better than the architects who visit the Studio weekly. Recent guest lectures from architects like Ted Flato, Marlon Blackwell, and Dan Wheeler have been incredibly personal and engaging. It feels like a completely unique lecture environment, one where you can sit five feet from the presenter, one where you’re almost encouraged to interrupt. Students were also given the wonderful opportunity to meet and have lunch with a visiting architect, Tatiana Bilbao. We were thrilled to meet her and can only hope we didn’t scare her off with all of our questions. Students were also as excited to see Ernesto Bilbao, one of the nicest professors at Auburn.

Woodshop: Getting Steamy

Students have gone into full production mode as we transition from making mockups to working on our final chairs. For every team that means we are in the woodshop almost every evening cutting and gluing and clamping. Steve Long is a great help, but at this stage, he has challenged us to largely embrace the process of completing our chairs on our own, and every shop day has turned into a full workday without interruption.

For the Lina Bo Bardi Folding Chair team, this means constantly tweaking their chair pieces so that the entire chair folds correctly. For the Rietveld Zig-Zag team, this means joining and gluing at very odd angles. And for the Prouve Chair team, this means making everything at odd angles. On a weekly basis, however, students come together to answer the desperate pleas of the Aalto Stool team, who need at minimum six people to help them steam bend their stool legs. All in all, the students stay constantly busy in woodshop. 

History: Dungeons, Dungeons, and more Dungeons

As usual for our History class, we’ve visited some incredible antebellum homes and properties. Instructor Dick Hudgens typically only shows us projects that he himself has worked to help restore (or is currently restoring). As such, he’s able to give us ample information and access. For the restoration of the Gaineswood home in Demopolis, he produced a series of plans, elevations, sections, etc., and so he was able to show us fantastic in-depth plans and sections. The building itself was well worth the trip, with beautiful ceiling domes and a creepy dungeon.

We’ve learned a lot about watercolor painting in the past few weeks, and have now been given our final, large-scale watercolor painting in the spirit of the Beaux-Arts. Students have begun drafting various scenes on 22×30 inch paper, which we will be slowly washing with our homemade watercolor paints for the rest of the semester.

Student Life: Mark Madness

We recently had the pleasure of welcoming a group of 1st-Year Architecture students to Newbern. Sixty-ish students drove in from Auburn and spent the night. The students were amazed by our campus, especially our greenhouse. Some camped on the grass behind Morrisette, and some slept in hammocks right outside our student housing Pods. That night we had a campfire where we could get to know the freshmen. The next morning, the students broke into teams of 5 to 7 and set about constructing a dining table set that they had designed. Each 3rd-year supervised a team, ensuring their cuts were square and that they hadn’t seriously maimed themselves all to sell the Rural Studio lifestyle to next year’s students. 

The March Madness excitement began stirring around campus with students eagerly filling out Studio brackets and debating their picks. Many gathered at Morisette to watch the games together, cheering for the teams they picked and once again letting Auburn Athletics dictate our mood. The excitement built with every upset and buzzer-beater, making the tournament a central focus of conversation and competition. 

That’s all for now, folks! Things are moving along rapidly here so we hope you’ll check back in for one more blog post this semester.

Finding our Footings

The few weeks since our last blog have been busy! As the weather heats up and our project moves forward, we’ve gone headfirst into our work. We’re excited to share our progress with you!

Studio: Can you Dig it?

We have had a huge change of pace for the studio project, Mark’s Home. The 3rd-years have run through a dozen iterations on the floor plan, met with our client Mark, remodeled the structure of the home, laid out and dug the footings, AND poured our footings. We’ve moved at breakneck speed to deliver on the project, and it has been such a rewarding experience. 

A major highlight was meeting with our client. Mark is the most interesting man in Alabama, and we are more than happy to design for him. Using presentations of drawings from last semester’s students, we were able to get to know Mark and learn more about how he lives. Mark has lived in Newbern for almost all his life, and for hours, he gave us stories of his childhood. Vivid descriptions of the street he grew up—and now lives—on.

The question of the hour is the location of the storm shelter beside Mark’s Home. After intense discussions lasting well past 5pm, we decided on a location of the storm shelter, along with a rough idea of the porch surrounding it. The design was critical; every decision was crucial. One team of students even laid out a 1:1 tape floor plan to better understand the space we’ll be making for Mark. 

The culmination of this design work was finalizing, digging, and laying rebar for the foundation of the building. We spent days from 8am to 5pm digging, measuring, and digging again.

Woodshop: Time to Kick Back

We’ve been getting very busy in woodshop now that Steve has familiarized us with the tools and equipment we’ll be using. To start, we’ve been assigned to make cutting boards. Using simple methods and materials, we put together detailed plans complete with storyboards showing how we intend to put together our boards. The project is small, but it has helped us get into the rhythm of woodworking and dip our toes into creating. 

Next, the four chair teams have made significant progress. We’ve been tasked to make mock-ups of our respective projects just to work out the kinks. This is absolutely a learn-as-you-go project, and we’re happy for the opportunity to start small and start again.

History: America’s Most Kissed Man… So Far

Speaking of big leaps forward, at the time of our last blog, we had only just begun to speak to Instructor Dick Hudgens. We had not yet been to a building, had very few materials, and had never had our drawing covered in red marks. As of this week, we have visited four historic projects and created a handful of watercolor pigments. Natural dyes are a fantastic way to connect with our local environment and gave many of us an excuse to get outside and explore Newbern. From pinecones to berries, lawn clippings to bamboo, nothing went unboiled. 

The first project we visited was St. Luke’s Chapel in Old Cahawba. The chapel has a fascinating history. Originally designed by Richard Upjohn, famed New York architect, the chapel has changed hands as well as physically moved in the last two centuries. The building was picked apart, put on the back of a horse drawn carriage, and carried on to greener pastures. Then, literally centuries down the road, students from Rural Studio managed to pick the chapel apart again, and move it back into Old Cahawba. They deconstructed the beautiful wooden arches, windows and siding—bringing it to Old Cahawba for us to enjoy.

This chapel was the first of many buildings we were expected to paint. Given our natural dyes and colors, including brown, light brown, dark brown, and gray, we carefully added depth and color to the sketches of St. Luke’s.

Next Dick took us through Magnolia Grove in Greensboro. Magnolia Grove is an early Greek revival plantation home not 15 miles from Rural Studio’s Newbern campus. Dick pointed out every instance of faux grain and black Egyptian marble; he brought up everything from the doorframes to the fireplaces. Being able to devour these amazing spaces from over 150 years ago is an unbelievable privilege—not to mention the fantastic history of these homes! Magnolia Grove was owned by the “most kissed man in America”, a man so sexy he became famous for it in 1846. Must have been some good gossip back in the day! 

Student Life: Plate of Pickled Purple

Just a few weeks ago, students were woken up with an urgent message to get to the town storm shelter as quickly as possible. A tornado was coming, and every student still in town over the weekend had to act fast. Students voiced their surprise that so many people lived in Newbern and were packed into the shelter like sardines. 

A few 3rd-years recently pooled their money to buy a basketball goal. Nothing has brought us together more than destroying the 5th-years in a game of pickup basketball.

One early morning, instead of going on-site or to Greensboro for studio, the class drove all the way up to Boligee, Alabama, to meet with Kendrick, the contractor who will be handling the construction of our storm shelter. He was working on a storm shelter for another client and invited us out to come and admire his work. We were all, however, absolutely distracted by the client’s cat, who was literally named D.O.T. Yes, his name is Department of Transportation because he was found in the garbage behind a D.O.T. facility. 

Thanks for tuning back in and keeping up with our progress. Catch ya later!