For the 3rd-year students, each semester begins by getting familiar with the Rural Studio Wood Shop and all it has to offer. The shop is very basic in the tools that it’s equipped with. So, students have to be creative in how they use each tool.
To kick off the class, the first task is to make a wooden cutting board in the shop. Each student is given three small pieces of cherry and walnut wood. After that, the limits are endless. With only the constraints of what is available in the shop, the design is up to whatever anyone wants to try.
By allowing the class to begin at a small scale, the cutting board project provides the opportunity to use and get familiar with all of the tools in the shop before moving to a larger and more difficult scale: cabinetry scale. The assignment also begins to facilitate an understanding of what it’s like to work with wood, which also proves helpful when the students work on the framing for Ophelia’s Home. Because there’s so much possibility, it’s always exciting to see the end result for each cutting board!
The end of the semester was a hustle and last hoorah for the fall semester 3rd-Year team. The students were sentimental (and maybe a little stressed) as they finished projects, and assignments and prepared to showcase their semester in one final review. And even though it felt like it was never going to happen, they got to start building a house!!
When it came time for the pour, excitement filled the air as the concrete truck back into Ophelia’s driveway. One full day of pushing and pulling and shoveling and smoothing with just about all the strength the students had to give. The 3rd-Years then drilled into the concrete footing to place and grout vertical rebar.
When the block layers came, everything went off without a hitch! The 3rd-Years got to watch the masters at work, and even help on occasion. Finally, the students then filled the allotted cells of the CMU wall with concrete and placed anchor bolts for next semester to bolt the sill on the foundation wall. And of course, cleaning up the site all along the way.
Oh, and the quilt, the magnificent quilt. The student’s final block iterations were sewn together, a quilt back was made with extra material from the naturally dyed fabric and a layer of cotton and polyester batting (yes kind of like insulation) was sandwiched between the sewn top and bottom.
The students then basted the sandwich (quick, temporary seams) and made a PVC Pipe frame to hold all the layers together while each student intricately “quilted” area of their own block together to make one cohesive blanket. A border was made and all 13 of the students sat around the Morrisette dining table to whip stitch the edges of the quilt closed, while watching The Grinch and drinking hot chocolate. :,)
The last class for the 3rd-Year’s History elective as a day long trip to Columbus, MS. The students ended like they began, seeing and sketching the southern vernacular with their wise captain, Dick Hudgens. They were then left to their own devises to finish their final watercolors, and they all, miraculously, finished! The pieces illustrated what the 3rd-years had learned about composition, color, fine water coloring techniques, and the influence of classical design on historic Montgomery homes. The works were displayed in the Morrissette House during the annual Soup Roast, as tradition holds.
Soup Roast bookended the fall semester 3rd-Years’ time at Rural Studio. They got to take one last tour around Hale County to see the amazing 5th-years, graduate students, and leftovers projects. Then, the finally of Soup Roast, the 3rd-Year’s presentation!
The students got feedback from their reviewers about their mechanical exhaust ventilation crawl space foundation (yup that’s a mouthful) and how they approached multiple residents moving into the product line homes. The 3rd-Years presented their ¼ bedroom or “nook” design in Joanne’s modified home through a built mock-up out of 2×6’s and pin up boards, so everyone could see and experience what the space will feel like.
Also, the final quilt was revealed! The students explained the premise of the class and had a conversation with the crowd about how this unconventional representation method expands our understanding of a project, the process of design, and cultivated empathy, in this case with Ophelia. The parade of students, architects, parents, teachers and friends then walked to the project site for Ophelia’s 20K too see the physical progress so far and meet Ophelia! The 13 3rd-Years returned to the site the next day to say goodbye and present her with the final quilt (she was surprised and very grateful).
The next day, the students packed up the pods, said goodbye to Chastity the mouse and Cupcake the possum, then drove/ flew across the globe to get home, but left with a lot of love in their hearts for Hale County and each other. The fall students felt the honor of borrowing Rural Studio and Newbern as their home for 3 ½ months. For that, they will be forever thankful. Now Ophelia’s 20K is handed over to the spring semester students!
The Halloween Reviews week is here! This week for the big review, the 3rd-years presented their 20K design and research for 20K Ophelia’s Home. Much of the busy week was spent in preparation for the Thursday review and their group costume, the “Last Supper.”
The 3rd-years finished their final quilting blocks in the elective class just in time to be hung and presented alongside their initial renderings. Aaron Head (local artist) returned to lead a sticking workshop on Wednesday as the students begin the process of actually “quilting” the quilt top, batting, and bottom together. Those couple hours of stitching were so peaceful, a pleasant break from studio work.
As Halloween grew closer, the students rapidly worked to finalize plan details, construction documents, and presentation flow.
On that hallowed day, guest reviewers Marlon Blackwell, Mike Newman, and Katrina Van Valkenburgh, alongside Rural Studio faculty, probed the students about the decisions they made behind their work, gave insightful critiques, and encouraged the 3rd-years in their research to improve the design of 20K Ophelia’s Home. Overall the review was a success!
And the students did enjoy itself all the while! The reviews of the 5th-year and master’s students were extremely interesting and engaging (not typically a word used to describe review days) and it was great to see what the rest of Red Barn was up to. Tuesday was the annual community Pumpkin Carve with the Halloween celebrations and costume contest on Thursday. The disciples definitely enjoyed themselves.
October 9, Ophelia’s Home was decided! The last two product line homes the 3rd-year studio considered were Mac’s and Joanne’s and the cut was made after a final sprint of drawings and a group discussion Wednesday morning. The 3rd-year students will be building an iteration of Joanne’s home for their client Ophelia.
The very same day the students presented their plans to Ophelia and her family. Here’s to last minute decisions!
The 3rd-years set up their work on site, and Ophelia, her family, and Mrs. Patrick (last year’s 20K client and Ophelia’s neighbor) sat outside while the students presented Joanne’s Home and the specifics of how and why this home would be best for Ophelia.
The presentation included technical drawings but also a site model and with a version of Joanne’s that Ophelia could keep. The group then moved around the property to podiums of perspectives for the client to look and see the potential views of her new home from various vantage points.
The presentation to Ophelia concluded by walking through a one-to-one mock up of the new home where the students plan to build it, showing every rooms and the views from every window.
The 3rd-years are so excited to have chosen a home for Ophelia and she is so happy with the one they chose! And on that note, both are ready to build! Stay tuned as the studio takes their design into the dirt.
Each September, 5th-year and master’s students participate in roughly four weeks of workshops led by consultants with expertise in subjects like landscape, sketching, structural engineering, building codes & ordnances, geotechnical and environmental engineering, as well as artists and graphic designers. This process is directed toward students gaining familiarity with the year’s projects, with consultants exploring important questions related to their field. Students also divide into charette teams to share the newly acquired knowledge amongst each other and thereby get to know one another better. The workshop process culminates with students choosing the project and designing the team they will be working both on and with for the rest of their time in the program.
How do you begin when you have no idea where to start? You just do. For the next few weeks, 5th-year and master’s students will document each workshop. At the completion of the workshops, the students will create a book of their experiences and lessons learned. The Graphics and Documentation workshop, with RS alumnus, Danny Wicke, and architectural photographer, Tom Harris, differs from any other because these lessons inform how the students work over the entirety of their book-making process. It sets the stage for how the next seven workshops will go as they create a framework for the entire process. Over the course of three days, Danny and Tom taught them about documentation, communication, presentation, and relation(ships). The students began the process of creating a book and working as a team.
The goals of the workshop were to emphasize the importance of documentation, discuss strategies for documenting work successfully, develop a structure to document upcoming workshops, produce a book that documents the workshop series, and build upon previous versions of the book.
Creating a book is more than generating words on a page. A good book tells a story. This workshop provided the basic framework of storytelling and how crafting a narrative with mindful design and documentation can make or break a book’s success. Book design and documentation act in unison, representing the narrative in a captivating way. When deciding how to design and layout a book, many decisions will overlap, making it crucial to have a general direction and overview of the book’s content from beginning to end. Some more technical design considerations include setting a baseline or regular grid layout, typography and font hierarchy, page margins, column count, paper medium, furniture, gutter space, book cover, and size.
Documentation should be mindful and not an afterthought to fill pages. The objective is to go beyond “just capturing” a moment by introducing an artistic voice that is represented through multiple mediums. Successful documentation is interactive and should captivate the audience. This workshop stressed the importance of elevating mediums (i.e. photography, montages, graphics, drawings, etc.) to intrigues the reader and further convey the story instead of acting to fill dead space. It is important to have a regimented game plan to record moments before they happen. This can be through the lens of a skilled photographer who is always considering light, angles, and exposure, or it is direction given to all team members to snap an individual moment that can later be used for a montage.
As the first workshop, the goal is to communicate direction prior to successive workshops in order to fully capture their significance and maintain cohesion between text and imagery.